The Art of Acting as a Specific Logical Mechanism

Authors

  • Claudia Ene I.L. Caragiale National University of Theatre and Film, Bucharest, Romania

Keywords:

Ion Cojar, specific logical mechanism, acting, creative proces, concept

Abstract

First and foremost, acting is a specific logical mechanism. As Romanian Director and Acting Professor Ion Cojar stated, an actor must assimilate different concepts and ways of thinking specific for the characters he is portraying. Thus, the actor’s way of thinking is the polyvalent logic—he is both a civilian and Romeo. The founding principle of acting, as Ion Cojar summarizes in Poetics of the Actor’s Art (1996) is that the actor is, at the same time, both himself and another. Creation begins from within, putting “myself in given situations”. Only after discovering one’s own dimensions can one take on “the other’s” dimensions.

References

Cojar, I. (1996). O poetică a artei actorului. București: Paideia.

Darie, B. (2015). Curs de arta actorului. Improvizația. București: UNATC Press.

Huizinga, J. (2018). Homo ludens. Trad. H.R. Radian. București: Editura Humanitas.

Mcconachie, B., Hart, F.E. (2006) Performance and Cognition. Theatre studies and the cognitive turn. Routledge.

Popa, C. (2017). Noțiuni de psihologia educației și managementul clasei de elevi. București: UNATC Press.

Shaughnessy, N. (ed.) (2013) Affective Performance and Cognitive Studies. Bloombery.

Stanislavski, K. S. (1956). Munca actorului cu sine însuși. București: Editura de Stat pentru Literatură și Artă.

Stanislavski, K.S. (1950). Viața mea în artă. București: Editura Cartea Rusă.

Downloads

Published

2021-11-30

How to Cite

Ene, C. (2021). The Art of Acting as a Specific Logical Mechanism. Doctoral Horizons, 2(1), 22–27. Retrieved from https://doctoral-horizons.unatcpress.ro/index.php/Journal/article/view/30