Sense and Significance in the Art of Dance and in the Choreographic Analysis

Authors

  • Sandra Elizabeth Mavhima “George Enescu” National University of Arts, Iasi, Romania

DOI:

https://doi.org/10.37130/DrHvol4iss1pp13-19

Keywords:

non-verbal language, dance, ballet, semiotics, Western culture, art of dance, art of choreography

Abstract

The art of dance, often considered a universal language, is actually much more complex and cannot be reduced to just a simple form of communication. Although dance uses body movements to convey messages, these movements are deeply rooted in the cultural, social and historical context of those who practice and perform them. Thus, dance is not a universal language in the strict sense of the word, as the meanings of movements can vary considerably between different cultures and societies. This article explores the importance of cultural context in the presentation and interpretation of dance and the particularities that the dancer's body presents, arguing for a multidimensional approach to choreography analysis.

References

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Hanna, J.L. (1988). Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire. University of Chicago Press.

Kaeppler, A.L. (2006). Dance'. Journal for the Anthropological Study of Human Movement, 14(2), 100.

Kealiinohomoku, J. (1998). An Anthropologist Looks at Ballet as a Form of Ethnic Dance. Dance Research Journal, 15(1), 6-10.

uniunea.ro (n.d.). Comunicarea non-verbală. https://uniunea.ro/wp-content/uploads/2016/04/Comunicarea-non-verbala.pdf

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Published

2023-12-01

How to Cite

Mavhima, S. E. (2023). Sense and Significance in the Art of Dance and in the Choreographic Analysis. Doctoral Horizons, 4(1), 13–19. https://doi.org/10.37130/DrHvol4iss1pp13-19