Le Tableau Vivant. On Intermediality in Theatre

Authors

  • Sorin Crișan University of Arts, Târgu-Mureș, Romania

Keywords:

theatre, postdramatic, intermediality, presence, otherness

Abstract

As a form of manifestation that is an extension of what we might call inter-arts, intermediality entails not only the reconfiguration of theatre‟s status but also that of its structural elements. Thus, presence becomes an unavoidable theme in analytical approaches to theatre. It is a presence that an actor‟s body rewrites in the sense of those multiply-integrative meanings of the on-stage media that are on the same level with the established art of the theatre. In our study we will attempt to point out some of the elements whereby intermediality transforms the theatrical image into a “composition” with paradoxical meanings and significances.

Author Biography

Sorin Crișan, University of Arts, Târgu-Mureș, Romania

Sorin Crişan, b. January 24, 1966, Cluj-Napoca. Graduate studies in Chemistry (1989) and Letters, Drama Department (1998) at Babeş-Bolyai University, Cluj-Napoca. Master degree in Theatre Art and Performance Studies (1999). Ph.D. in Arts, Drama field (2001). Ph.D. in History (2011). Editor in chief of Études bibliologiques / Library Research Studies. Editor in chief of Symbolon Journal and Library Research Journal. Member of the scientific board of the following journals: Jurnalul Artelor Spectacolului / Journal of Performing Arts (Sibiu), DramArt (Timișoara), Comunique (București) and Crima organizată și terorismul azi / Organized crime and terrorism today (Cluj-Napoca). Professor and Rector of University of Arts Târgu-Mureş (from 2009 to present). Director of the Romanian Academy Library, Cluj- Napoca (from 2016 to present). Teacher of Aesthetics and Directors' Doctrine. Member of the International Association of Theatre Critics, UNITER and The Writers' Union of Romania. Evaluation expert of manuscripts and rare books (from 2005). Books: Circul lumii la D.R. Popescu/World circus at D.R. Popescu (2002), Jocul nebunilor/ Fools game (2003), Teatru, viaţă şi vis. Doctrine regizorale/ Theatre, life and dream. Directors' doctrine (2004), Teatrul de la rit la psihodramă/ Theatre from rite to psychodrama (2007), Teatru şi cunoaştere/ Theatre and knowledge (2008), Sublimul trădării/ The sublime of betrayal (2011), Arta, fizionomia și circulația cărții în Transilvania secolelor XV-XVI/ Art, physiognomy and circulation of the book in 15th-16th c. Transylvania (2014). Author of studies and articles in the field of drama and culture in dedicated national and international journals. National Critics' Award (2003), Romanian Academy Award “Dimitre Onciul” (2016), Doctor Honoris Causa of West University of Timisoara (2016). Visiting professor to Cergy-Pontoise University and Hungarian Dance Academy Budapest.

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Published

2020-06-10

How to Cite

Crișan, S. (2020). Le Tableau Vivant. On Intermediality in Theatre. Doctoral Horizons, 1(1), 65–82. Retrieved from https://doctoral-horizons.unatcpress.ro/index.php/Journal/article/view/4