Visual Storytelling the Imaginary in Cinema
Keywords:
oneiric cinema, dreaming scenes, surreal cinema, visual storytelling, imaginaryAbstract
Based on real-life events—a statement each of us has read in the description of a fiction artwork. Whether it’s literature, theatre, or film, humans have always been attracted to a subject that is similar to their real-life experiences. The Impressionist movement in fine arts and the invention of photography made paintings that included high-fidelity representations of the environment become redundant. This was happening because of the advance in technical means.
The used quote supports cinema’s will to empower the imaginary. Fiction films can be treated as a dream, as a universe of those who are trying to project things that are untouchable in the real world. The purpose of this paper is not that of differentiating fiction from documentary. We are trying to discover what means directors use to separate different narrative universes described in a single film so that the audience understands it is being transported to a dream, a memory, or simply an imaginary space created as a result of a mental disorder. Therefore, we won’t analyse the dream as a function, but as a form. Our purpose is to identify the recipes, if those really exist, through which the visual language can suggest or even amplify the existence of a border between real and surreal.
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