Theatre – A Path to Becoming

Authors

  • Alexandra Fasolă I.L. Caragiale National University of Theatre and Film, Bucharest, Romania

Keywords:

individualization, self-knowledge, self-acceptance, vigilance, focus

Abstract

An actor works with one main tool - his/her/their own being. One‟s physique and psyche work together in order to bring forth subtle nuances of one‟s being. An actor needs to mirror different realities for the spectator in order to move him out of his comfort zone and challenge him to ponder on more profound and complex aspects of life. The actor must first know and understand himself before he can share these deep experiences with others. Self- awareness, one of the most intense challenges for a human being, requires plenty of courage and patience in order for one to explore within himself the deepest emotions experienced that will ultimately reveal the most profound insights.

References

Chekhov, Michael, Către actori – Despre tehnica artei dramatice, Biblioteca UNATC

Chekhov, Michael, To the Actor: on the Technique of Acting, Routledge, New York

Jung, C. G., Opere Complete 1. Arhetipurile și inconștientul colectiv, Trei, București, 2003

Jung, C. G., Analytical Psychology. It‟s Theory and Practice (The Tavistock Lectures), London, Ark Paperbacks, 1990 (1968)

Oida, Yoshi; Lorna, Marshall, Actorul invizibil, ArtSpect, Oradea, 2009

Warlikowski, Krzysztof, Teatrul ca o rană vie – Lucrare concepută și realizată de Piotr Gruszczynski, Fundația Culturală „Camil Petrescu”, Cheiron, București, 2010

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Published

2020-06-10

How to Cite

Fasolă, A. (2020). Theatre – A Path to Becoming. Doctoral Horizons, 1(1), 53–63. Retrieved from https://doctoral-horizons.unatcpress.ro/index.php/Journal/article/view/90