Bibliography

Book Review suggestions

 

Akhunov, V. et al. (2021). The missing planet: Visions and re-visions of Soviet times. NERO Editions.

Arunanondchai, K. (2023). Songs for living: Songs for dying. Mousse Publishing.

Bellour, R. (2013). Between-the-images. JRP/Ringier; Les presses du réel.

Biserna, E. (Ed.). (2023). Going out: Walking, listening, soundmaking. Q-O2.

Boisson, B., Fernandez, L., & Vautrin, E. (2021). Le cinquième mur: Formes scéniques contemporaines & nouvelles théâtralités [The fifth wall: Contemporary stage forms and new theatricalities]. Les presses du réel.

Bourriaud, N. (2022). Inclusions: Aesthetics of the Capitalocene. Sternberg Press.

Bovier, F., Mey, A., Schärer, T., & Truniger, F. (Eds.). (2020). Minor cinema: Experimental film in Switzerland. JRP/Editions; Les presses du réel.

Cardenas, C., Justin, V., & Maertens, M. (2015). Collect digital video art. Les presses du réel.

Della Noce, E., & Murari, L. (Eds.). (2022). Expanded nature: Écologies du cinéma expérimental [Expanded nature: Ecologies of experimental cinema]. Light Cone Editions.

Dulac, G. (2019). Qu’est-ce que le cinéma? / What is cinema? Light Cone Editions.

Durant, M. A. (2022). Maya Deren: Choreographed for camera. Saint Lucy Books.

Flusser, V. (2021). Towards a philosophy of photography. Reaktion Books.

Frahm, L. A. (2022). Design in motion: Film experiments at the Bauhaus. MIT Press.

Francesco Urbano Ragazzi (Ed.). (2023). Jonas Mekas: Images are real. CURA.BOOKS.

Habib, A., Pelletier, L., & Sirois-Trahan, J.-P. (Eds.). (2023). Le cinéma dans l’œil du collectionneur [Cinema through the collector’s eye]. Les Presses de l’Université de Montréal.

Haeckel, J. J. (Ed.). (2021). Everything passes except the past: Decolonizing ethnographic museums, film archives, and public space. Sternberg Press.

Hegnsvad, K. (2021). Werner Herzog: Ecstatic truth and other useless conquests. Reaktion Books.

Hermes, M. (2014). Hystericizing Germany: Fassbinder, Alexanderplatz. Sternberg Press.

Holert, T., & Mende, D. (Eds.). (2023). Navigating beyond vision. Sternberg Press.

Hollings, K. (2020). Inferno: A genealogy of 1960s trash culture (Vol. 1). Strange Attractor Press.

Kafka, G., & Lovell, S. (Eds.). (2020). Sonic urbanism: The political voice. Theatrum Mundi.

Kafka, G., & Lovell, S. (Eds.). (2021). Sonic urbanism: Listening to non-human life. Theatrum Mundi.

Kafka, G., Lovell, S., & Shipwright, F. (Eds.). (2019). Sonic urbanism. Theatrum Mundi.

Kholeif, O. (2018). Goodbye world! Looking at art in the digital age. Sternberg Press.

Klajn, H. (2026). Problemele fundamentale ale regiei [Fundamental problems of directing] (I. Flora, Trans.; R. Crăciun, Ed.). UNATC Press. (Original work published 1951)

Libera, M., & Klein, L. (Eds.). (2012). Making the walls quake as if they were dilating with the secret knowledge of great powers. Zachęta National Gallery of Art.

Liptay, F., Gabrí, C., & Walde, L. (Eds.). (2023). Taking measures: Usages of formats in film and video art. Migros Museum für Gegenwartskunst; University of Zurich.

Lynch, D., & McKenna, K. (2018). Room to dream. Penguin Random House.

Malm, M. (Ed.). (2017). Curating context: Beyond the gallery and into other fields. Art and Theory Publishing.

Marchini Camia, G., & Brady-Brown, A. (Eds.). (2022). Pier Paolo Pasolini: Writing on burning paper. Fireflies Press.

Matzke, M. (Ed.). (2023). Figures of absence: The films of Dore O. Strzelecki Books.

Mekas, J. (2022). I seem to live: The New York diaries, 1969–2011 (Vol. 2). Spector Books.

Müller, K., & Philipp, C. (Eds.). (2022). Picturing Austrian cinema: 99 films/100 comments. Spector Books.

Nicodemos, M. (2023). Le cinéma argentique au XXIe siècle: Obsolescence et réinvention [Photochemical cinema in the 21st century: Obsolescence and reinvention]. Presses Universitaires de Provence.

Obrist, H. U. (2018). A brief history of curating. JRP/Ringier; Les presses du réel.

Penman, I. (2023). Fassbinder: Thousands of mirrors. Fitzcarraldo Editions.

Poulin, C., Preston, M., & Airaud, S. (Eds.). (2018). Co-creation. CAC Brétigny; Empire Books.

Preisig, B., von Niederhäusern, L., & Krusche, J. (Eds.). (2022). Trading zones: Camera work in artistic and ethnographic research. Archive Books.

Preto, A., Obrist, H. U., Bellour, R., Mauffrey, N., & Dreyer, S. (2023). Agnès Varda: Light and shadow. Serralves.

Rabottini, A., Bigazzi, L., & Stoppani, B. (Eds.). (2023). Penumbra. Mousse Publishing.

Radosavljević, D. (2026). Creația de spectacol: Interacțiunea dintre text și spectacol în secolul al XXI-lea [Theatre-making: Interplay between text and performance in the 21st century] (C. Huțanu, Trans.; R. Crăciun, Ed.). UNATC Press. (Original work published 2013)

Rafael, M.-F. (2022). Passing images: Art in the post digital age. Floating Opera Press.

Rebecchi, M., & Vogman, E. (2017). Sergei Eisenstein and the anthropology of rhythm. NERO.

Ruiz, R. (2022). Notes, recollections and sequences of things seen. Dis Voir.

Schöllhammer, G., & Arevshatyan, R. (Eds.). (2014). Sweet sixties: Specters and spirits of a parallel avant-garde. Sternberg Press.

Smith, J. E., & Weisser, A. (Eds.). (2012). Everything is in everything: Jacques Rancière between intellectual emancipation and aesthetic education. Art Center Graduate Press; JRP.

Smith, T. (2012). Thinking contemporary curating. Independent Curators International.

Soda, K. (2023). Why I make documentaries: On observational filmmaking (S. Grasselli, Ed.; M. Schley, Trans.). Viaindustriae Publishing.

Stillman, W. (2023). Not so long ago. Fireflies Press.

Trinh, T. M.-H. (2023). The twofold commitment. Primary Information.

van Alphen, E. (Ed.). (2023). Productive archiving: Artistic strategies, future memories, and fluid identities. Valiz.

Zylinska, J. (2022). The future of media. Goldsmiths Press.